Sunday, August 14, 2016

MIFF 2016 - Day 16

Zero Days

Focusing on the release of the Stuxnet malware, developed by the US and Israel to target Iran's nuclear program, Alex Gibney delivers a well-researched and thoughtful exploration of the implications of cyber-warfare. Unearthing details that had been inferred but never confirmed, he tells the story of the development of the malware, and more or less confirms the allegations that Israel went rogue with the software. Featuring NSA insider testimony on what happened, including the blowback from Iran in the form of their own attacks, the film is ultimately a plea by those on the inside for a discussion on the use and abuse of cyber-weapons. They know how bad it could get.

Nuts!

I'm still not convinced this story is true, so outlandish are the events. But that's probably besides the point. This is an incredibly sly film tapping into both our mistrust of government and organisations, as well as our credulity. It's better not to know too much, just know this animated documentary is worth the ticket.

The Lovers and the Despot

Another truth is stranger than fiction documentary. This time about a film director and actress who were kidnapped into North Korea and made to make films for Kim Jong Il. I'd advise seeking out the This American Life podcast that covers the same material, as some bits conflict and others add more detail. It's more of a sketch than an investigation, but fascinating nonetheless.

Suburra

An Italian crime epic, ranging from high office to small time crooks. It takes its time getting going, the first half hour or so is a jumble of different characters and events, but then it kicks off and starts tying all the threads together. It's nasty and grim, with only a few moments of respite. Nobody is good, everything is terrible. Interestingly, while it covers politicians, the church and the mafia, there's not a police officer in sight. They have no place in this world it seems. It can be overwrought and the soundtrack gets overly melodramatic at times, but it mostly works, and there's some nice references to other gangster films.

The Lost Arcade

A paean to community, more than anything else, this documentary is about Chinatown Fair, the last arcade to remain open in Manhattan. We see and hear stories of how much this place meant to people, and it also celebrates its owner, who took a number of the kids who frequented the place under his wing and helped them out. It's a genuine and interesting look at a subculture and the benefits of finding your tribe.

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